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{{DISPLAYTITLE: Hans Schrödter (1872–1957)}}
Schroedter, also spelled Schrödter, was born in 1872 in Karlsruhe. He came from a distinguished family, from which two painters had already emerged, Adolf and Alwine Schroedter, his grandparents (Huber 149). The historical painters K. F. Lessing and A. von Werner also belonged to his family (Gotzes 259).

Schroedter, also spelled Schrödter, was born in 1872 in Karlsruhe. He came from a distinguished family, from which two painters had already emerged, Adolf and Alwine Schroedter, his grandparents (Huber 149). The historical painters K. F. Lessing and A. von Werner also belonged to his family (Gotzes 259).

When the adolescent's good talent could not be overlooked, he did not face any resistance from his family to pursue a career in painting. He enrolled at the Karlsruhe Academy after graduating from school. However, the academic teaching programme did not appeal to him. The situation around 1890 was characterised by fierce disputes between the supporters of the older, conservative art movements and the advancing innovators. Throughout his life, Schroedter seems to have preferred avoiding such conflicts rather than actively participating in them. He left the academy after a few years to continue his education as a freelance student in Berlin, the North Sea, in Bavaria and, last but not least, in Paris. Even then, his creative field was wide-ranging. In addition to landscapes, it included a great deal of portrait and genre painting, still lifes and flower paintings, as well as book illustration. Religious themes were added later and took up a considerable amount of space in his creative work (Huber 150).


When he finally returned to Karlsruhe after three years of travelling, the personality and work of Hans Thoma captivated him so much that he decided to go back to the academy and take painting classes by Thoma. Thoma's influence on Schroedter's oeuvre did not last, however (Huber 150).

Schroedter, who had volunteered to join the fighting troops in World War I and was deployed as a ‘reporter with a pencil’ during the last years of the war, returned to his home in Wolterdingen in 1918, exhausted and shaken (Huber 150).

His personal style is a mixture of Realism, Romanticism, Art Nouveau and Impressionism. Schroedter's most natural talent was a penchant for small-masterly precision of drawing. It was only in his later works that he moderated it or abandoned it completely. This inclination also explains his desire to illustrate books, especially children's books. The printed designs are all delightful little pictures with the finest drawings and colours. Schroedter successfully created the ideal fairy tale pictures for children at the turn of the century. Throughout his life, he did not lack a certain romantic inclination towards the mysteriously shadowy and nocturnal. However, book illustration and fairy tales disappeared from the artist's work as he grew older. His penchant for the mysterious and the religious, however, continued to emerge in his later years (Huber 152).

Hans Schroedter passed away in 1957 in Hüfingen, Baden-Württemberg ("Hans Schroedter").



Sources:

“Hans Schroedter.” Stadtmuseum Hüfingen. Förderkreises Stadtmuseum Hüfingen e.V. Web. October 25, 2024. 

<https://www.stadtmuseumhuefingen.de/hans-schroedter>.


Huber, Erna. “Hans Schroedter, Ein Maler in Der Baar.” Schriften des Vereins für Geschichte und Naturgeschichte der Baar in Donaueschingen 30                                              

(1974): 149–153. Print.

Gotzes, August. “Hans Schroedter.” Die Kunst für Alle: Malerei, Plastik, Graphik, Architektur 54.8 (May 1939): 259–260. Print.